21/04/2009 -


VOTEZ pour SHANE COUGH !!!!!!Un morceau sera diffusé dans l'émission OUI LOVE MYSPACE mercredi 22 avril de 18h à 19h et c'est pendant l'émission qu'il faudra voter, voter et encore voter
Il suffira de taper VOTE 2 par sms au 61500 ou par telephone 0 821 23 102 3 (pendant l’émisssion)

Vous pouvez aussi voter sur myspacecom/oui fm MERCREDI dès 14h.

Merci pour votre soutien!!!!


>> All Shane Cough news





Now you see it


new release on march 2009




September 2000 : Release of the first album "Delight in desorder"

July 2001 : After a tour around France and Switzerland (approximately 100 concerts) the band decides to a have a break, so that enable each member to carry out personnal projects. Marianne flies to Portland, Oregon, while the others finish their academic studies.

2002 : While the stage performance of this electro-punk band still haunt their's audience's minds (the one's who came to the Transmusicales in Rennes, Découvertes Printemps in Bourges, Route du Rock in Saint Malo, Musiques volantes in Metz, Panoramas in Morlaix, Les Inouïes in Lyon, O les Choeurs in Tulle, Osmose Festival and Aucard in Tour...), the ideas gathered during this stand-by, infiltrating their machines, giving life to new forms, sharper, more incisive and at the same time more melodic. Summer 2002 : Marianne comes back to France and plays the role of Corail in "Oxygène : valeur morte" (oxygen : dead value), a short movie directed by Clément Truffeau, for which Gauthier composes a strange soundtrack, revealing influences from Badalamenti (the composer of David Lynch).

2003 : Shane Cough, with the help of the venue VIP in Saint Nazaire, is selected for the "Monte-Charge" project, initiated by the FĂ©durock "Federation of presentday music venues). This enables the band to present a much more finalize show. Meanwhile, the band works on its second album and plays two devastating shows in the summer, time to revive memories... Fury is undoubtedly present. The machines happen to be implacable.

2004 : The band goes to Stockholm so as to record few titles with the swedish productor Adam Kviman, who regards to his experience (Clawfinger, The Rasmus, Backyard Babies, The Wannadies...) has succeeded in perfecting the link between the coldness of the electronic base, the sensuality of the voice and the power of the guitars. Incisive, violent, rock, sensual and decadent, the new show surprises with its efficiency. It is a universe fed by aesthetic and film nightmares, ambiances rather calm or sourse of anxiety. It is a true prelude to digital terrorism invaded by the spellbound and toxic presence of Marianne. Somewhere between the apocalyptic Berlin of Alec Empire and the goth Los Angeles of NIN, the sensuality of PJ Harvey unites with the epileptic waves of sound of Aphex Twin. A new alchemy for digital punk music : oversaturated guitars, synthetic waves, beats on speed and charismatic riot-girl which will end up by throwing the scene into a full black out. Last detail : past the black-out, they never do encores...




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